Honey, there was a terrible storm and look what it blew into our garden!
Another one from the Château PGC vault! Today we have a 2007 PRS Corvette Standard 22 model. This one in particular is from a very limited run of less than 50 guitars. It is the PRS Corvette Standard Ron Fellows model.
PRS presented NASCAR racing driver Ron Fellows with a one-off Corvette Standard 22 guitar to commemorate his career. The guitar is painted to match his Corvette race car. The new Corvette was unveiled at the 2007 Chicago Auto Show and PRS was there to present Mr. Fellows, who is also a guitar player, with this instrument. After the event PRS received a lot of requests to build this guitar and they did a limited production run. This guitar is a hard to find and highly collectible instrument.
The PRS Corvette Standard 22 Ron Fellows features a carved mahogany body, 25” mahogany neck with rosewood fretboard with Z06 inlay. The headstock is equipped with PRS 14:1 locking tuners. Electronics: 2 dragon II pickups, volume-, tone control and a five -way rotary pickup selector. This one has a PRS stoptail bridge, some models feature an optional PRS tremolo bridge.
In the next days I will put it up for sale on Reverb. The guitar is in mint condition and comes with original hardshell case and hangtags.
Another beauty from the Gibson Custom Shop! A 2011 Gibson Les Paul Standard one-off guitar in a striking “Splatter” finish.
I don’t have much information on this one. It resembles most a ’57 ebony but with a slightly thinner neck. The headstock has the vintage style Kluson tuners and a pearloid logo inlay. Rosewood fingerboard and 22 frets. Not sure what pups are in this but to my ears it sound like 57 Humbuckers.
If you want to get noticed on stage, this is your guitar! Look at the striking color of the top. It is an ebony guitar splattered with a sort of “watered down” green ink and covered with a gloss finish. The weight of this Pauly is very comfortable, it might have some sort of chambering or not… I can’t “hear” any cavity when tapping the top or back. The action is low and the playability is superb.
But who cares about the specs? This is a guitar you play to get noticed and to look cool. Plug it into a Marshall and you are ready to rock! Under a stage light it will make you shine like a Chevy on snow chains in a tunnel! It will turn heads, even by those who don’t like… how Rock’n’Roll is that!
Would you rock this guitar? Let me know!
Probably the most underrated guitar amp. I own 3 of these and they are keepers! Not so successful as their smaller sisters: Goldtone 15 and Goldtone 15 RVS (stereo). The Gibson GA30RV is a vintage style amp and very very British sounding! No wonder, these were made in the UK. In the late 90’s, early 00’s Gibson acquired Trace Elliot. In fact this is a Trace Elliot. The Goldtone 15 was a straight copy of the Trace Elliot Velocette amp. The Super Goldtone range consisted of two combo’s (30 and 60 watt) and a 30 Watt head. I purchased these most priced amps in Ol’ England.
This GA-30RV is a class A two-speaker combo with a bunch of features. First thing to notice is the old style speaker configuration – a 12″ Celestion V30 and a 10″ Celestion Vintage 10. It has a luxurious finish – thick leatherette covering, brass style speaker grills and a gold plated Gibson logo on the front. This dark brown version has Gibson tophat control knobs. The earlier version amp in two tone brown finishing has the Gibson speed knobs and basket weave speaker cloth.
The class A circuitry features four EL34 power tubes, five ECC83 and two ECC81 preamp tubes. The long Accutronics reverb tank provides a lush reverb with individual control per channel. The controls are sectioned in seperate preamp channels with level controls for each and a Master Volume. Each preamp channel can be activated with the controls or the footswitch. If you can find a Gibson 5 way footswitch you can even combine the two preamps and expand the sonic possibilities of this rock- and blues machine. These rare footswiches sell for crazy prices online but if you can find a Trace Elliot 5 button bass amp footswitch it will work also, … and cheaper!
This combo is a classic rock and blues amp. A very British tone and pairs perfectly with a Gibson Les Paul guitar. It can be clean and it can be mean. Solid as a rock, dynamic and unforgivven if you have a bad day. It does require some muscle to carry around, … so eat your meat!
In the demo clip I use a CS Fender Stratocaster ’64 with lipstick pickups. Very thin sounding pups but the Super Goldtone can make it fart! More on this guitar in a next episode. Enjoy and keep the comments coming! What is your favourite amp!
Features: Four EL84 power tubes; five ECC83 and two ECC81 preamp tubes; single input jack; preamp select switches; boost select switches; preamp one controls for volume, treble, middle, bass; preamp two controls for gain, level, treble, middle, bass; separate reverb level controls; master volume; line out; loop select; series/parallel switch for loop; separate level controls for send and return; send and return jacks for loop; three-spring reverb tank; 12″ Celestion Vintage 30 speaker, 10″ Celestion Vintage 10 speaker; footswitch jacks for preamp 1/2 Boost (two-button footswitch, included with amp).
Haters gonna hate but I love this guitar from the Gibson Custom Shop! In 2017 Gibson introduced the Modern Double Cut at the CES show in 2017. A mahogany body with a two piece maple cap is traditional Gibson, so is the nitro lacquer finish and the humbucking pickups. These instruments feature a 12″ radius rosewood fretboard with 24 frets. The Apex headstock has some kind of “volute” to reinforce the neck. A traditional Gibson neck is prone to break at the headstock, Less chance this is gonna happen with the Apex headstock.
The long neck tenon drives the neck deep into the cutaway body. The pickups are placed closer to each other and it takes a while to get used to if you are used to the classic Les Paul guitars. The pickups are a pair of 57 Classic and 57 Classic Plus humbuckers and they are wired to a 500K CTS volume pot and a 500K CTS tome pot. Hand wired, no mini pcb in these guitars.
Gibson gets a lot of critique when they change a proven design but they nailed it with these guitars. Guitar players are very conservative regarding their instruments. They are a limited run and probably are going to be collectors items in the future. Excellent playability, perfect balance, tons of sustain and beautifully crafted at the Gibson Custom Shop.
This one comes in Metallic Alien Green, it is an eye-catcher on and off stage. I know Gibson gets a lot of comments on their quality control and their prices but as an owner of 20+ Gibsons (and many sold instruments) I have never encountered a single problem with any of my Gibson guitars. Except one time when I got an instrument with a broken headstock due to the brutal handling by the courier service. Other than that, no problems at all. I guess it is trendy to do some Gibson bashing on youtube and social media… well I don’t care! If we all had the same taste wouldn’t we all be married to the same woman/man?