It’s the bass player who makes your girlfriend dance! That is why I love the bass… Today I went into the vaults of Château PGC and discovered this beautiful Gibson ES-335 bass guitar from 2013. Memphis made and Brussels played!
The Gibson ES-335 is a modern (?) take on the legendary Gibson EB-2 bass that was in production from 1958 to 1972. The EB-2 was a short scale bass, the ES-335 has a full 34 inch scale which nowadays is the standard in bass guitars. Today’s 335 has a vintage and tight sound delivered by two humbucker pups. The neck pickup was moved to the middle position (aka P-bass) and another one was added to the bridge. It delivers a punchy and balanced tone. It features a 3-way toggle switch and the regular tone and volume controls for each pup.
These instruments don’t pop up very often and I am surprised it had such a short production run. Gibson is always associated with guitars and is not the bassist’s favorite brand. I think this bass deserves more love. It is a great instrument and at a very good price point. At the time you could pick one from the shop at prices below €1,500.00. Today the sell second hand way over €2K. A future collectable?
Here are the specs: The ES-335 four string bass has a laminated maple body and top. Rosewood fingerboard and a maple neck. The headstock sports four open “clover” tuners and pearloid inlays. The neck and body have bindings and the guitar has a nitrocellulose lacquer finish to add some vintage mojo to the instrument.
The ES-335 is a great player, the center-block body is well balanced and the action is perfect. The 3-point bridge is easy to adjust and can be set to your preference in a jiffy.
It is big, it is cool and it sounds like thunder. I can’t wait to get some flatwound strings on it and “jazz-up” the weekend!
Another beauty from the Gibson Custom Shop! A 2011 Gibson Les Paul Standard one-off guitar in a striking “Splatter” finish.
I don’t have much information on this one. It resembles most a ’57 ebony but with a slightly thinner neck. The headstock has the vintage style Kluson tuners and a pearloid logo inlay. Rosewood fingerboard and 22 frets. Not sure what pups are in this but to my ears it sound like 57 Humbuckers.
If you want to get noticed on stage, this is your guitar! Look at the striking color of the top. It is an ebony guitar splattered with a sort of “watered down” green ink and covered with a gloss finish. The weight of this Pauly is very comfortable, it might have some sort of chambering or not… I can’t “hear” any cavity when tapping the top or back. The action is low and the playability is superb.
But who cares about the specs? This is a guitar you play to get noticed and to look cool. Plug it into a Marshall and you are ready to rock! Under a stage light it will make you shine like a Chevy on snow chains in a tunnel! It will turn heads, even by those who don’t like… how Rock’n’Roll is that!
In 2013 Jason Smith from the Fender Custom Shop created an oddball! A bass guitar with everything from somewhere else. The headstock of a Fender Coronado, the bridge from a Guild, Pickups from a Danelectro… combined with an offset Bass VI body. The Fender Rascal is the “Frankenstein” among bass guitars.
This weird bird was a huge success at the music trade shows and Fender decided to put it in production as part of the Mexican “Classic Player” series. It is a four string short scale bass with lipstick pickups. A bass with guitar pickups? Yes, and the sonic range is awesome! Besides the “normal” five position switch you can expand your tonal range with another two by pulling the volume knob.
I like these oddballs, they look cool, play great and sound fantastic! For the demo I plugged this one into a vintage (1969) Marshall SLP and a 4×12 Marshall cab. To my ears it sounded great. It has a very old skool sound, almost like an upright bass. As Antoine says at the end of the demo: “it is not a slapper bass”, … but for anything else it will do the job and make you look cool!