Gibson ES-335 Chris Cornell

In 2013 I was the lucky owner of three Gibson Chris Cornell signature guitars. Two Olive Drabs and the black one. I sold the black one and till this day I regret it. I sold it cheap, When Chris Cornell passed away prices went up and nowadays these guitars are much sought after. I love these guitars and I love the Lollar pickups!

Last year Gibson announced to reissue a limited run of 250 guitars and since then I have been watching out for this rerun. Finally, last week, I could get my hands on a new ES-335 Cornell! Kudos to Omega Music (Mons), Belgiums second largest music store, great service and excellent coffee! As soon as I heard they had one in store I was on my way. In the past they sold me two guitars from the 2013 run and since then I visit them on a regular basis. I prefer the local brick-and-mortar store above the German box-movers. Try before you buy and support your local business!

Gibson ES-335 Chris Cornell

The Gibson ES-335 has everything to be a horrible guitar: a crazy neck angle and a Bigsby. Everything to guarantee an out of tune guitar. But the ES-335 also has some kind of magic. It just feels great, looks great and plugged into a valve amplifier it roars at you when you hit that open E chord. The magic is in the pickups! The Lollartron pickups sound like a bell and yet they have the right amount of power to cover every style. The Cornell ES-335 is my “go-to” guitar. My main instrument since 2013 and now I have some spares. Oh lucky me!

Is there a difference between the 2013 and the 2019?

There is no difference in sound between the 2013 and 2019. Gibson now uses MTC-Plus controls to tame the pickups. I still have to figure out what these controls are but to my ear it sounds pretty identical to the “old” ES-335. The guitars look and sound identical there are just a few minor differences between the first limited run and the second limited run of 250 guitars each.


In 2013 I bought the black ES for €2200,- and the olive drab ES for €2500,-. At that time you could get them at the bargain booth in any music store. Guitar players are very conservative people. They don’t like it when something new is introduced. Only when a renowned artist starts using something new the sales will follow. Design and looks are of major importance in the guitar business. If it is not sunburst, ebony or any traditional color it might be risky business. In 2013 I could get a good deal on those matte finish guitars. It changed when Chris Cornell passed away and the prices on the second hand market rocketed. The new 2019 model is about €1000,- more expensive. I also was informed Gibson will donate part of the proceeds to the Chris Cornell Foundation.


The peghead inlay has changed from the traditional “frog” to the Chris Cornell logo or signature. A quarter sawn mahogany C-shaped neck remained. The fretboard is dark rosewood with pearloid dot inlays. The 2013 guitar I own has a much darker rosewood compared to the reissue, In fact the rosewood on the new guitars is more grained and not so “dark” at all. The 2019 hardcase comes without the “shroud”, the cloth to cover your guitar. I wish Gibson would bring it back. It adds something “sacred” to the instrument.


Most noticeable difference is the neck heel. The 2019 version has a smaller neck heel joint compared to the first run. It doesn’t bother me and it doesn’t seem to affect the tone. Is it something in the manufacturing process? I have no idea. Both the new version and the original one have the same neck heel only the 2013 guitar has a slightly larger neck joint.

For you gearheads out there I shot a short video with the Cornell guitars. Enjoy and leave a comment. Keep Rockin’!


Why I buy local…

We live in a digital age. The internet has taken over a lot of industries: travel agents, print journalism, map making, book stores, porn magazines and… music stores. The music industry has been minimized and taken over by IT companies. The internet is giving the brick-and-mortar music store hard times. It is sad to see how the local music store is struggling with the domination of the big online box movers like Thomann or Musicstore. Sure, there is nothing wrong with ordering a Gibson Les Paul from the comfort of your chair but somehow it makes me sad. Am I old fashioned? Maybe. 

Six guitar amps I ordered from several European online stores went straight back or to my amp tech. They all had issues like broken valves, torn up speakers or produced “weird” noises.  Yes, there is a 30 days or more return policy but it is never hassle free. I have to box it up again, drive to the tech or the courier service or spend an evening on burning my fingers with the soldering iron. That is why I still prefer the mom-and-pop music store. 

As a kid, I was licking windows of music stores. Take the bus to the city and getting hypnotized by the goodies at the music shop. Saving and washing dishes in a restaurant to buy that Japanese Strat copy. The offers and choices of guitars were limited but the craving and the desire to buy the instrument were considered a life goal. Now I own 100+ guitars, basses and amps mostly acquired from brick-and-mortar music stores. The online purchase of an instrument does not give me the same buyers satisfaction as an online order. 

A musical instrument store is like a museum, a coffee shop and good place to stop. You can try out an instrument or order your guitar(amp) if it is not in stock. In general the prices are the same (or better) than the online store and I get some serious service on top: free set up to my desire and a quality check. I never came home from a store with a broken amp! Nowadays it is hard to see these stores have to make a living of the repairs from stuff people buy on the internet. 

One of my favorite stores is JnR Music Center in Hasselt (B). It is run by musician and luthier John Joris. They carry a large selection of vintage and new acoustic guitars.  If you cannot find your guitar of choice, he can build you one. Over 40 years of craftmanship in guitar building and repairs. John worked for Lou Reed, Toots Thielemans, Sting and Paul Simon. 

I rather buy from an expert and not from a warehouse owner or drop shipper. Unless you like to buy the smell when opening a guitar case for the first time … buy from your local music store!


PRS Standard 22 – Ron Fellows

Another one from the Château PGC vault! Today we have a 2007 PRS Corvette Standard 22 model. This one in particular is from a very limited run of less than 50 guitars. It is the PRS Corvette Standard Ron Fellows model. 

PRS Corvette Standard 22 – Ron Fellows

PRS presented NASCAR racing driver Ron Fellows with a one-off Corvette Standard 22 guitar to commemorate his career.  The guitar is painted to match his Corvette race car.  The new Corvette was unveiled at the 2007 Chicago Auto Show and PRS was there to present Mr. Fellows, who is also a guitar player, with this instrument.  After the event PRS received a lot of requests to build this guitar and they did a limited production run.  This guitar is a hard to find and highly collectible instrument.

The PRS Corvette Standard 22 Ron Fellows features a carved mahogany body, 25” mahogany neck with rosewood fretboard with Z06 inlay. The headstock is equipped with PRS 14:1 locking tuners.  Electronics: 2 dragon II pickups, volume-, tone control and a five -way rotary pickup selector. This one has a PRS stoptail bridge, some models feature an optional PRS tremolo bridge.

In the next days I will put it up for sale on Reverb. The guitar is in mint condition and comes with original hardshell case and hangtags.