Another one from the Château PGC vault! Today we have a 2007 PRS Corvette Standard 22 model. This one in particular is from a very limited run of less than 50 guitars. It is the PRS Corvette Standard Ron Fellows model.
PRS presented NASCAR racing driver Ron Fellows with a one-off Corvette Standard 22 guitar to commemorate his career. The guitar is painted to match his Corvette race car. The new Corvette was unveiled at the 2007 Chicago Auto Show and PRS was there to present Mr. Fellows, who is also a guitar player, with this instrument. After the event PRS received a lot of requests to build this guitar and they did a limited production run. This guitar is a hard to find and highly collectible instrument.
The PRS Corvette Standard 22 Ron Fellows features a carved mahogany body, 25” mahogany neck with rosewood fretboard with Z06 inlay. The headstock is equipped with PRS 14:1 locking tuners. Electronics: 2 dragon II pickups, volume-, tone control and a five -way rotary pickup selector. This one has a PRS stoptail bridge, some models feature an optional PRS tremolo bridge.
In the next days I will put it up for sale on Reverb. The guitar is in mint condition and comes with original hardshell case and hangtags.
It’s the bass player who makes your girlfriend dance! That is why I love the bass… Today I went into the vaults of Château PGC and discovered this beautiful Gibson ES-335 bass guitar from 2013. Memphis made and Brussels played!
The Gibson ES-335 is a modern (?) take on the legendary Gibson EB-2 bass that was in production from 1958 to 1972. The EB-2 was a short scale bass, the ES-335 has a full 34 inch scale which nowadays is the standard in bass guitars. Today’s 335 has a vintage and tight sound delivered by two humbucker pups. The neck pickup was moved to the middle position (aka P-bass) and another one was added to the bridge. It delivers a punchy and balanced tone. It features a 3-way toggle switch and the regular tone and volume controls for each pup.
These instruments don’t pop up very often and I am surprised it had such a short production run. Gibson is always associated with guitars and is not the bassist’s favorite brand. I think this bass deserves more love. It is a great instrument and at a very good price point. At the time you could pick one from the shop at prices below €1,500.00. Today the sell second hand way over €2K. A future collectable?
Here are the specs: The ES-335 four string bass has a laminated maple body and top. Rosewood fingerboard and a maple neck. The headstock sports four open “clover” tuners and pearloid inlays. The neck and body have bindings and the guitar has a nitrocellulose lacquer finish to add some vintage mojo to the instrument.
The ES-335 is a great player, the center-block body is well balanced and the action is perfect. The 3-point bridge is easy to adjust and can be set to your preference in a jiffy.
It is big, it is cool and it sounds like thunder. I can’t wait to get some flatwound strings on it and “jazz-up” the weekend!
..a banjo in my trunk! Euh, actually it was not Alabama. I acquired this piece of antique from JnR Music, Hasselt (www.jnr.be). When you buy the Pete Seeger -“How to play the banjo”- handbook , you might as wel go for a banjo! Master Luthier John Joris introduced me to the five string chick’n-pick’n-twang’n-pluck’n banjo sling’n! Thanks John, I hold you responsible for a new addiction: bleeding fingers!
New instrument on our block is the W. Dennis 4477 Zither-banjo. The oldest instrument in my collection. More antique instead of vintage… William Dennis (°1864 – Hampstead) was the English instrument maker who conceived this instrument somewhere between 1890 and 1895. The name of the luthier is stamped in the headstock and on the fretboard near the pot along with the model number 4477.
The Zither-banjo is the English cousin of the American banjo. A zither-banjo has a wood backside which acts like a “resonator.” It is a bowl-shaped back a bit wider than the head of the banjo. This allowed the sound from the back of the banjo’s head to come out the front of the instrument. The resonator increases the volume of the instrument remarkably.
The English banjo makers used the same gauge string for the fifth and first string. The drone string was not fixed to a tuner on the neck but it was “tunneled” behind the fifth fret. The drone string dives into the instrument neck and comes out at the peghead near the sixth tuner.
The headstock has six tuners. One is a faux tuner. All tuners have knobs made of horn. The neck is made of mahogany and the fretboard is ebony with pearl inlays. The pot is a nice solid dark piece of rosewood with pearl inlays on the rim. The heel of the neck carries a nice abalone ornamental inlay.
Overall a nice piece of “antique” that will still be in use after 130 years! No shit, no pills, no coke! … my friends are into hiphop but I am into folk!
Another beauty from the Gibson Custom Shop! A 2011 Gibson Les Paul Standard one-off guitar in a striking “Splatter” finish.
I don’t have much information on this one. It resembles most a ’57 ebony but with a slightly thinner neck. The headstock has the vintage style Kluson tuners and a pearloid logo inlay. Rosewood fingerboard and 22 frets. Not sure what pups are in this but to my ears it sound like 57 Humbuckers.
If you want to get noticed on stage, this is your guitar! Look at the striking color of the top. It is an ebony guitar splattered with a sort of “watered down” green ink and covered with a gloss finish. The weight of this Pauly is very comfortable, it might have some sort of chambering or not… I can’t “hear” any cavity when tapping the top or back. The action is low and the playability is superb.
But who cares about the specs? This is a guitar you play to get noticed and to look cool. Plug it into a Marshall and you are ready to rock! Under a stage light it will make you shine like a Chevy on snow chains in a tunnel! It will turn heads, even by those who don’t like… how Rock’n’Roll is that!